Wall paintings have been cultural expressions of human creation throughout history, from the
earliest beginnings, such as rock art, extending up to present day murals. Their deterioration,
accidental or intentional destruction constitutes a loss affecting a significant part of the world’s
cultural heritage. The Venice Charter (1964) has provided general principles for the
conservation-restoration of cultural heritage. The Amsterdam Declaration (1975) introducing
the concept of integrated conservation, and the Nara Document on Authenticity (1994) dealing
with cultural diversity, have expanded these principles. Taking into account these and
additional relevant contributions, such as the ICOM-CC Code of Ethics (1984), Document of
Pavia (1997), and E.C.C.O. Professional Guidelines (1997), the aim of this document is to
provide more specific principles for the protection, preservation and the conservationrestoration of wall paintings.
ERAMCA Project Reference: 609574-EPP-1-2019-1-IT-EPPKA2-CBHE-JP
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